Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Kazimir Malevich
Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago

ID: 75990

Kazimir Malevich Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago
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Kazimir Malevich Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago


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Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments  Related Paintings of Kazimir Malevich :. | supremalism | Flowergirl | on the boulevard | Black Cross | suprematism |
Related Artists:
William Holmes Sullivan
painted Lady Godiva in 1877
Albrecht Altdorfer
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
Cogghe Remy
Belgian , Mouscron 1854-Roubaix 1935






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